This is typical Wayne, but that's what makes Hondo a movie well worth watching. Good writing and fine acting, again proving how so under rated Wayne was his entire career. Take the time and watch Hondo, it most definitely will be time we'll spent. As for prejudicial moments, remember, this was 1953 and that's just as it was. Wayne is Wayne, and the Apaches were the white man's idea of Apaches. God bless good ole Sam! Written by timhall52

Travis, Arliss, and Lisbeth are captured by Apaches while Old Yeller's son, Sam, tracks their trail.

Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the prison where he has been since, and hunts down Dad for revenge. Dad is now a respectable sheriff in California, and has been living in fear of Rio's return. Written by Ken Yousten kyousten@bev.net

West Texas in the years after the Civil War is an uneasy meeting ground of two cultures, one white. The other native American. Elvis portrays Pacer Burton. The son of a white rancher (John McIntire) and his beautiful Kiowa Indian wife (Dolores DelRio). When fighting breaks out between the settlers and natives, Pacer tries to act as a peace maker, but the "flaming star of death" pulls him irrevocably into the deadly violence.

A peace-loving man named Ben Kane takes a job as deputy marshal of Lordsburg, in the old West. Kane is no lawman, but he accepts the badge because he has an old score to settle with the town's chief trouble-maker. Once on the job, Kane must also deal with a young sharpshooter named Billy Young and a sharp and sassy saloon dancer, Lily. Written by Dan Navarro daneldorado@yahoo.com

Chico, one of the remaining members of The Magnificent Seven, has set down roots in the village that they had defended in the first film. One day, the village is raided by fifty gunmen under the employ of rancher Lorca. Lorca's bandits abduct all of the village's men to be used as slave labor, leaving the women and children behind. Chris, the former leader of the Seven, is sought out by Chico's wife Petra for help, and thus assembles a new Seven to come to the village's rescue once again. Written by rcs0411@yahoo.com, napsterneorenegade@hotmail.com

Two Army officers, an alcoholic ex-Confederate soldier and a womanizing Mexican travel to Mexico on a secret mission to prevent a megalomaniacal ex-Confederate colonel from selling a cache of stolen rifles to a band of murderous Apaches. Written by Marty McKee mmckee@wkio.com

Robert Ryan plays an aging sheriff responsible for law and order in a frontier cattle town. Virginia Mayo plays his fiancee. As if handling wild cattle drovers isn't enough, a crooked casino operator from Ryan's past comes to town. An early scuffle in the casino leaves Ryan with vision problems that interfere with his duties. Jeffrey Hunter who came to town with a cattle drive encounters Ryan, who killed Hunter's father when Hunter was young. Feelings of animosity soon change as Hunter begins to sense Ryan is telling the truth about his father. What follows is a plot that continues to thicken to the inevitable showdown.

A little boy runs away with a star jumping horse after the horse is abused.

Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion.